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From the Sublime to the Ridiculous in 17 Days

Slam poetry to blow-up beavers; kd lang’s Hallelujah to Michael Bublé’s Mountie striptease. Eccentric Muse shares some final thoughts on the Vancouver Winter Olympics.

My friend Lynne asked me if I was going to write a follow-up piece on the Vancouver Winter Olympics closing ceremony as a kind of bookend to my Valentine To Canada.

I’ve been thinking about it (the closing ceremony, the Olympics in general, what they meant to Canada, blah blah blah) and reading/hearing a lot of commentary on it.  Yes, I agree they have heralded in a new spirit of Canadian patriotism, but like someone else said (I think perhaps it was Lloyd Robertson, grandpère of Canadian news broadcasting), there has been a gradual build to it.  It may have blossomed and borne fruit over the past 17 days, becoming more tangible and more focused, but it has roots going further back (much further back, given many Canadians’ dislike of their current government, which many–including me–do not see as facilitating that burgeoning sense of pride but rather eroding it).

And yes, as others have mentioned, this newfound spirit of national pride will likely fade again.  Maybe not to levels as faint as they were before, when we were consumed with penis envy of our bigger, brasher, bolder and more bragalicious U.S. neighbours.  When, no matter how much we aimed for self-definition that was a positive and not a negative (read that as a visual metaphor, not an emotional one), we came up–ahem–short.

Probing the sub-text of the opening ceremonies, we even came up short in Shane Koyczan’s poem.  As much as I love it and him (more on that below), and as much as I’d point to that as the true highlight of the opening ceremonies–the big surprise, the flaunting of the very best of our idiosyncratic and oft-unheard art & culture–the performance of We Are More (generously, edited; cynically, censored) was still riddled with images that define us against the stereotypes commonly held of Canada and especially the differences between Canada and the U.S.

But all that aside, the opening ceremonies, although criticized for containing hackneyed Canadian images, appropriating and stereotyping native culture, excluding Eastern/Quebec content (oh, please … get your heads out of your asses, Ontario and Québec), I thought set exactly the right tone for the opening of the Games.  Artistic, but accessible.  Symbolically powerful, emotionally resonant, meaningful and aspirational.  Enough “we’re likeable-don’t you like us? You like us, you really like us!” head-puffing and heartlifting emotional triggers to satisfy the sternest cynic and quell the qualms of the most insecure citizen.

The opening ceremony was not the time to be too shocking or controversial.  We needed to be welcoming, not weird.  Nor was it the time to be self-deprecating–a trait that is woefully misunderstood, much like irony, these days.  Self-deprecation is the true mark of the Canadian character.  Not a lack of self-confidence, or a lack of self-definition.  Not a confused and wavering sense of self-identity, rather the opposite.  So much confidence and the courage of our convictions about who and what we are that, yes, we are able to make fun of ourselves.

The closing ceremonies were, however, that time.  The time to do something a little more revolutionary and even more self-definitional–with humour but also with that closeted Canadian delight in over-performing after being underestimated.  They shot for it, but they did not score.

Instead of satire, we got silliness.  Instead of edgy and progressive, we got amateur and hokey.

Perhaps everything, simply everything, would be a disappointment after the singularly spectacular, nationally-unifying moment on the ice a mere three hours earlier. Thank God for the mercy of having clasped that men’s hockey gold medal to our collective breasts that afternoon.  (I am of the ilk who believes that of all the medals we won, including the record-breaking golden 14, that was the only one that truly mattered. )

If we had been forced to endure the travesty of those closing ceremonies after suffering the unthinkable disappointment of losing the gold in our national game, well … there would not have been enough beer in Canada to cry into.

It started well.  Mocking and rectifying the failure of the fourth phallus, err, cauldron arm, to rise was a stroke of genius.  William Shatner, Mary Catharine O’Hara and Michael J. Fox hit the right balance between spoof and sincerity.

Still…still…leaving aside the expectedly stilted speeches and sad hand-off to Sochi, the inexplicably surreal blow-up moose and beavers (I’d actually put that in the “plus” column, simply for sheer absurdity and strangeness), it was the musical acts that were the greatest disappointment.  No, no … not Neil Young.   He was beautiful, standing in stark relief against the burning flame (better to burn out than to fade away), strumming Long May You Run. Brought just the right homey hootenanny feel to it.

Can we pretend that the entire high-school musical episode, replete with a bumbling Bublé, walking canoes and 30-foot cardboard Mounties, never happened?  Please?

After Neil, things went downhill even faster.  With the exception of the French Canadian bands, there were too many commercial acts who are too well-known…and too well-known as Canadian.  Presenting the best of Canada’s commercial music scene, already recognized and rewarded on the world stage, was a tactic for the opening ceremonies, not for the closing ones.  The closing ceremonies should have presented the rest of the best of Canada.

Also, choosing some camera angles that didn’t emphasize the thinning crowds and empty seats would have helped.

I suppose I should be grateful that we didn’t have to suffer through Céline.  My heart really could not have gone on.

Canada’s indie music scene is a national treasure.  We keep it to ourselves and we don’t export it, much like the French do with their best wines.  In fact, as soon as it’s exported, it becomes, by definition, mass market and infinitely less interesting.

After the jump, I present the musical line-up as Eccentric Muse would have done it, plus a special surprise from Shane Koyczan.  Enjoy the show.

(more…)

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March 3, 2010 at 4:07 pm 4 comments

History is Made

Congratulations to the American people for electing Barack Obama the 44th President of the United States.  This landmark event is of significance to all people, all over the world who have fought and will continue to fight for justice and human rights.

Rosa sat,

so Martin could walk,

so Obama could run,

so our children could fly.

author unknown

barack-hope-poster

November 5, 2008 at 12:58 am 2 comments


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